What kind of set-up do I need to Print liquid emulsion on a large piece of plywood? - large lighted wreath
I am interesting impressions of light liquid emulsion on wood with a high contrast of black magic. I want a light wood that is solid and stable? How do I build something on the wall, where it was suspended coat, dry, develop, define, and washing that the wood alow me to the chemicals that are removed in a safe container? Please reply if you know, not guess correctly. Thank you for your help.
4 comments:
obsorb liquid wood quickly, I do not know how it would work with black magic.
I have black magic liquid emulsion into a photography course at the university. I painted cardboard.
It was long enough, it needs sufficient space to be in the darkroom. If you hang the plywood, you will probably strip, in the final image. I like to try a small piece of wood, which is very expensive.
In stating that work best.
If you are persistently connected, try a hardware store and check-out garage organizers. They are robust and should be more diverse. You may get some great "hook" that keep the wood that you can have two hanging with a bucket to catch. The problem with this method, the developer has to stop, bath and fixer in a bath so that the timber can sit for a while - usually less than a minute.
I think the wood has been destroyed after all these chemicals, less impervious first for water.
I do not know what the magic is black, but his description is the same basic process of printers used to introduce the template display that you ... photographic emulsion used in printing is actually Elmer's glue with ammonium or awareness to make Diazochrome is sensitive emulsion is insoluble in water when exposed to UV radiation (a C-arm, the height of the sun) Mercury vapor. After the exposure of protected areas for each UV opaque material remains soluble and can then be washed with water. The surface must be water resistant if not waterproof, I suggest, Tempered Masonite, Formica, or new materials Corina type. If all you want is a stamp with the printing regulate the processes in many books, one of the best that I can be the kind of art projects was seen describing a man named Burglenson (spelling not correct, I can not find my copy) ... GOOD LUCK!
In reading your question, ask received books on serigraphs in:
http://www.amazon.com/exec/obidos/search ...
Ithink we could get really cool effects with the described procedure for the procedures for the separation of color contrast is a bit like Andy Warhol had his soup cans and Marilyn Monroe and the Beatles famous images, experiences, tests, practices and records!
First you need a darkroom and a llight red.
Cover the plywood with paint or urethane shelac goal, close all the pore in the woods. it can evaporate from the smoke.
After drying, drying in the dark at 4 to 5 cm and the spread completlly the emulsion brush, can, then make the correct exposure and development of the chemistry of paper developer, washed and dried.
First you need a darkroom and a llight red.
Cover the plywood with paint or urethane shelac goal, close all the pore in the woods. it can evaporate from the smoke.
After drying, drying in the dark at 4 to 5 cm and the spread completlly the emulsion brush, can, then make the correct exposure and development of the chemistry of paper developer, washed and dried.
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